A man walks down the street
He says why am I soft in the middle, now
Why am I soft in the middle
The rest of my life is so hard
I need a photo-opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard
Bone digger, bone digger
Dogs in the moonlight
Far away my well-lit door
Mr. Beerbelly, Beerbelly
Get these mutts away from me
You know I don't find this stuff amusing anymore

If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty, when you call me
You can call me Al

A man walks down the street
He says why am I short of attention
Got a short little span of attention
And, whoa, my nights are so long
Where's my wife and family
What if I die here
Who'll be my role-model
Now that my role-model is
Gone, gone
He ducked back down the alley
With some roly-poly little bat-faced girl
All along, along
There were incidents and accidents
There were hints and allegations

If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty, when you call me
You can call me Al

Call me Al

A man walks down the street
It's a street in a strange world
Maybe it's the third world
Maybe it's his first time around
Doesn't speak the language
He holds no currency
He is a foreign man
He is surrounded by the
Sound, sound
Cattle in the marketplace
Scatterlings and orphanages
He looks around, around
He sees angels in the architecture
Spinning in infinity
He says Amen! and Hallelujah!

If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty, when you call me
You can call me Al

Call me Al
Na, na na na...

If you'll be my body guard, Ooooh
I can call you Betty, Ooooh
If you'll be my body guard, Ooooh
I can call you Betty, Ooooh

Beatles/ Get Back

Jojo was a man who thought he was a loner
But he knew it wouldn't last.
Jojo left his home in Tucson, Arizona
For some California grass.

Get back, get back.
Get back to where you once belonged
Get back, get back.
Get back to where you once belonged.
Get back Jojo. Go home

Get back, get back.
Back to where you once belonged
Get back, get back.
Back to where you once belonged.
Get back Jo.

Sweet Loretta Martin thought she was a woman
But she was another man
All the girls around her say she's got it coming
But she gets it while she can

Get back, get back.
Get back to where you once belonged
Get back, get back.
Get back to where you once belonged.
Get back Loretta. Go home

Get back, get back.
Get back to where you once belonged
Get back, get back.
Get back to where you once belonged.
Get back Loretta
Your mother's waiting for you
Wearing her high-heel shoes
And her low-neck sweater
Get on home Loretta
Get back, get back.
Get back to where you once belonged.

Another - "hamare vidyalaya ke teen siddhant, lagan, anushaasan, parishram safalta ke teen stambh, sampoorna shiksha ke aadhar "

RAM- HEIL HITLER !

---------------------------------------------------------------------

RAM SHANKAR NIKOOMBH - apko kya lagta hai, uski probem kya hai

MR AVASTHI - problem hai uska raviyaa, hamesha badmashi, tewar hi tewar

RAM - kyoon karta hai voh ye saab, bevakoof hai, alsi hai

MR AVASTHI - ye kaise padh sakta hoon, ye to chinese mein hain !

RAM - dekhiye aap badtameezi kar rahe hain, apka ravaiyaa theek nahi, aap shaitani kar rahe hain ...

---------------------------------------------------------------------

har bachcha apne hisaab se vajan uthata hai, apna vajan uthana der saber seekh hi jata hai

Goal posts change academic success, money, normal (?) family life

-----------------------------------------------------------------------

Taare Zameen Par Title Song (2007)
Movie : Taare Zameen Par
Music Director: Shankar, Ehsaan & Loy
Director: Aamir Khan
Producer: Aamir Khan
Cast: Aamir Khan, Tanay Chheda, Darsheel Safary
Singers: Shankar Mahadevan, Dominique Cerejo, Vivienne

Taare Zameen Par

Dekho inhein yeh hai onss ki boodein
Patto ki goodh mein aasamaan se khude
Angdai le phir karwat badal kar
Nazuk se moti hasde phishal kar
Kho na jayee yeh
Taare Zameen par

Yeh toh hai sardi mein
Dhoop ki kirane
Uthre jo aangan ko sunehara sa karne
Maan ke andhero ko roshan sa karde
Thiturti hatheli ki rangat badal de
Kho na jayee yeh
Taare Zameen par

Jaise aankhon ki debiyan mein neediyan
Aur neediyan mein meetha sa sapna
Aur sapne mein mil jaye faristha sa koi
Jaise rango bhari peechkari
Jaise Thitliyan phoolo ki pyari
Jaise bina matlab ka pyaara rista ho koi

Yeh to asha ki lehra hai
Yeh to umeed ki seher hai
Khushiyon ki nehar hai
Kho na jaye yeh
Taare Zameen par

Dekho raaton ke sene pe yeh to
Jhil mil kisi lao se uge hain
Yeh to andiyan ke khushbo hai bhago se beh chale
Jaise kaanch mein chudi ke tukde
Jaise khile khile phoolon ke mukhde
Jaise bansi koi bajaye pedo ke taale

Yeh to jhoke hai pawan ke
Hai yeh gungroo jeevan ke
Yeh to sur hai chaman ke
Kho na jayeee
Taare Zameen par

Mohale ki ronak galiyan hai jaise
Khilne ki zid per kaliyan hai jaise
Muthi mein masam ki jaise hawaein
Yeh hai buzurgo ke dil ki duyaaein
Kho na jayeee
Taare Zameen par
Taare Zameen par

Kabhi baatein jaise dadi naani
Kabhi chale jaise num num pani
Kabhi ban jaye bhole saawalo ki jhadi
Sanate mein hasi ke jaise
Sune hoton pe khushi ke jaise
Yeh to noor hai barse gar pe kismat ho padi
Jaise jhil mein lehar aye chanda
jaise bheed mein apne ka kandha
jaise manmauji nadiya
jhaag udaye kuch kahe
jaise baithe baithe meethi si jhapki
jaise pyar ki dheemi si thapki
jaise kaanon mein sargam
hardam bajti hi rahe
jaise barkha udati hai bundiya…
kho na jaaayeeee yehhhh
Kho na jaayee yehh
kho na jaayee yehh
kho na jaayee yehhhh..

Kholo Kholo

Kholo kholo darwaze
Parde karo kinare
Khutey se bandhi hai hawa
Mil ke chudao saare

Aajao patang leke
Apney hi rang leke
Aasmaan ka shamiyana
Aaj hamein hai sajana

Kyun is kadar hairaan tu
Mausam ka hai mehmaan tu
Duniya sajee tere liye
Khud ko zara pehchaan tu

Tu dhoop hain jham se bikhar
Tu hai nadee o bekhabar
Beh chal kahin ud chal kahin
Dil khush jahan teri toh manzil hai wahin

Kyun is kadar hairaan tu
Mausam ka hai mehmaan tu

Baasi zindagi udaasi
Taazi hasney ko raazi
Garma garma saari
Abhi abhi hai utaari

Oh zindagi to hain batasha
Meethi meethi si hai aasha
Chakh le rakh le
Hatheli se dhak le ise

Tujh mein agar pyaas hai
Baarish ka ghar bhi pass hai
Roke tujhe koi kyon bhala
Sang sang tere aakash hai

Tu dhoop hain jham se bikhar
Tu hai nadee o bekhabar
Beh chal kahin ud chal kahin
Dil khush jahan teri toh manzil hai wahin

Khul gaya aasmaan ka rasta dekho khul gaya
Mil gaya kho gaya tha jo sitara mil gaya

Roshan hui saari zameen
Jagmag hua saara jahaan
Oh udne ko tu aazad hai
bandhan koi ab hai kahan

Tu dhoop hain jham se bikhar
Tu hai nadee o bekhabar
Beh chal kahin ud chal kahin
Dil khush jahan teri toh manzil hai wahin

Oh kyun is kadar hairaan tu
Mausam ka hai mehmaan tu

lonely is the place, cold as hell, when things go wrong

and there is a SCREAMMMMMMMMMMMMM

lucky is a person who has LOVE ...

Tum Se Hi
Hindi Movie/Album Name: Jab We Met
Music: Pritam Chakraborty

na hai yeh pana, na khona hi hai
tera na hona jane, kyun hona hi hai
tum se hi din hota hai, surmaiye shaam aati, tumse hi, tumse hi
har ghadi saans aati hai, zindagi kehlati hai, tumse hi, tumse hi
na hai yeh pana, na khona hi hai
tera na hona jane, kyun hona hi hai

aankhon mein ankhein teri, bahoon mein baahein teri
mera na mujhmein kuch raha, hua kya
baaton mein baatein teri, raatein saugatein teri
kyun tera sab yeh ho gaya, hua kya
main kahin bhi jata hoon, tumse hi mil jata hoon, tumse hi, tumse hi
shoor mein khamoshi hai, thodi si behoshi hai, tum se hi, tum se hi

aadha sa wada kabhi, aadhe se jayada kabhi
jee chaahe kar lu is tarah wafa ka
chhode na chhoote kabhi, tode na tute kabhi
jo dhaga tumse jud gaya wafa ka
main tera sarmaya hoon, jo main ban paya hoon, tumse hi, tumse hi
raaste mil jaate hai, manzile mil jaati hai, tumse hi, tumse hi
na hai yeh paana, na khona hi hai
tera na hona jaane kyun hona hi hai

Mauja Hi Mauja

baby when i look into you eyes i see the stars shine
baby here you shout, your love has made me so choosy, cooll!

jag jag sara jag sara nikhar gaya hud pyar ka hawadevich bikhar gaya-4
dil tera hoi jaye apran jul jaye, mar udhle dekho zikhar gaya
(hud mauja hi mauja, sham savere, hud mauja hi mauja
pyar se tere, hud mauja hi mauja, udthe badi hud, mauja hi mauja) - 2

(oh mahi mera sharwat varga, oh mahi tenu gat gat peela
oh mahi mera dil menu dei de dil menu dei de, khul ke jeela)- 2
mitide ha se, oh mahi mere aase pase
oh mahi mere haad beram huye, dil sare rang huye
dil mahi sang huye jidhar gaya
hud mauja hi mauja, tera sahare, hud mauja hi mauja
hul hulare ud, hud mauja hi mauja, jaan huwa re hud, mauja hi mauja
mauja hi mauja, sham savere, hud mauja hi mauja
pyar se tere, hud mauja hi mauja, udthe bhadi hud, mauja hi mauja

(oh mahi mera sone varga, oh mahi tenu cham cham rakna
oh mahi mera dil menu dei de dil menu dei de, rajke takna)- 2
kol bhithake, oh mahi tere, sej sajake
oh mahi, tere sang mere gal huye, har ek pal huye
dil be hal dehko bikhar gaya
jag jag sara jag sara nikhar gaya hud pyar ka hawadevich bikhar gaya-4
dil tera hoi jaye apran jul jaye, mar udhle dekho zikhar gaya
hud mauja hi mauja, pyar pake, hud mauja hi mauja
gul milake, hud mauja hi mauja, everybody now, mauja hi mauja
mauja hi mauja, pyar pake, hud mauja hi mauja
gul milake, hud mauja hi mauja, everybody now, mauja hi mauja

Ye Ishq Hai

haan hai koi to wajah, to jeene ka maza yuun aane laga
yeh hawaaon mein hai kya, thoda sa jo naasha yuun chhaane laga
puchho na pucha mujhe kya hua hai, teri raahon mein aakar
puchho na pucha mujhe kya milega, teri baahon mein aakar
yeh ishq haaye baithe bithaaye, jannat dikhaaye haan
o raama, yeh ishq haaye baithe bithaaye, jannat dikhaaye haan

tode maine saare hi bandhan zamaane tere, todungi na main waada
aadha hissa mere to dil ki kahani ka tu piya mein baaki aadha
dekho na dekho mujhe hua hai, teri yaadhon mein kho kar
puchho na puchho mujhe kya, milega teri baaton mein jeekar
yeh ishq haaye baithe bithaaye, jannat dikhaaye haan
o raama, yeh ishq haaye baithe bithaaye, jannat dikhaaye haan

mere jaise laakho mile honge tujhko piya, mujhe to mila tu hi
tu hi mere hoton ki khilti huyi si hasi, gila bhi piya tu hi
dekho na dekho mujhe kya hua hai, tujhe sapno mein laakar
puchho na puchho mujhe kya, hua hai teri baaton mein aakar
yeh ishq haaye baithe bithaaye, jannat dikhaaye haan
o raama, yeh ishq haaye baithe bithaaye, jannat dikhaaye haan
haan hai koi to wajah, to jeene ka maza yuun aane laga
yeh hawaaon mein hai kya, thoda sa jo naasha yuun chhaane laga
puchho na pucha mujhe kya hua hai, teri raahon mein aakar
puchho na pucha mujhe kya milega, teri baahon mein aakar
(yeh ishq haaye baithe bithaaye, jannat dikhaaye haan
o raama, yeh ishq haaye baithe bithaaye, jannat dikhaaye haan) - 4

Thriller lyrics

[1st Verse]
It's Close To Midnight And Something Evil's Lurking In The Dark
Under The Moonlight You See A Sight That Almost Stops Your Heart
You Try To Scream But Terror Takes The Sound Before You Make It
You Start To Freeze As Horror Looks You Right Between The Eyes,
You're Paralyzed

[Chorus]
'Cause This Is Thriller, Thriller Night
And No One's Gonna Save You From The Beast About
Strike
You Know It's Thriller, Thriller Night
You're Fighting For Your Life Inside A Killer, Thriller
Tonight

[2nd Verse]
You Hear The Door Slam And Realize There's Nowhere Left To Run
You Feel The Cold Hand And Wonder If You'll Ever See The Sun
You Close Your Eyes And Hope That This Is Just
Imagination
But All The While You Hear The Creature Creepin' Up
Behind
You're Out Of Time

[Chorus]
'Cause This Is Thriller, Thriller Night
There Ain't No Second Chance Against The Thing With
Forty Eyes
You Know It's Thriller, Thriller Night
You're Fighting For Your Life Inside Of Killer, Thriller Tonight

[Bridge]
Night Creatures Call
And The Dead Start To Walk In Their Masquerade
There's No Escapin' The Jaws Of The Alien This Time
(They're Open Wide)
This Is The End Of Your Life

[3rd Verse]
They're Out To Get You, There's Demons Closing In On Every Side
They Will Possess You Unless You Change The Number On Your Dial
Now Is The Time For You And I To Cuddle Close Together
All Thru The Night I'll Save You From The Terror On The Screen,
I'll Make You See

[Chorus]
That This Is Thriller, Thriller Night
'Cause I Can Thrill You More Than Any Ghost Would Dare To Try
Girl, This Is Thriller, Thriller Night
So Let Me Hold You Tight And Share A Killer, Diller, Chiller
Thriller Here Tonight

[Rap Performed By Vincent Price]
Darkness Falls Across The Land
The Midnite Hour Is Close At Hand
Creatures Crawl In Search Of Blood
To Terrorize Y'awl's Neighbourhood
And Whosoever Shall Be Found
Without The Soul For Getting Down
Must Stand And Face The Hounds Of Hell
And Rot Inside A Corpse's Shell
The Foulest Stench Is In The Air
The Funk Of Forty Thousand Years
And Grizzy Ghouls From Every Tomb
Are Closing In To Seal Your Doom
And Though You Fight To Stay Alive
Your Body Starts To Shiver
For No Mere Mortal Can Resist
The Evil Of The Thriller

Only one moment in his life

To be close to your heart?

Or was he fated from the beginning

to live for just one fleeting instant,

within the bounds of your heart."

Ranbeer raj is a lead singer at the bar, in the part of city where prostitutes do what they do – hustle loneliness, professionally. The bar is not a place you would find in any city, for it exists in the mind of gulabji.

"And the waitress is practicing politics

As the businessmen slowly get stoned

Yes, theyre sharing a drink they call loneliness

But its better than drinkin alone

Chorus

Its a pretty good crowd for a saturday

And the manager gives me a smile

cause he knows that its me theyve been comin to see

To forget about life for a while

And the piano, it sounds like a carnival

And the microphone smells like a beer

And they sit at the bar and put bread in my jar

And say, man, what are you doin here? " (Billy joel/ piano man)

Sakina is the girl of Raj’s affections, who goes away forever, wedded to her beloved saawariya .

Struck with grief, Ranbeer, the epitome of a lover dies the day he visits gulabhji, the prostitute with the golden heart.

But in gulabji’s heart they will always live on - sakina warm in the love of her saawariya, and Raj boxing it out with grief, offering unblemished love and companionship, loving sakina all his life.

“Gham Badhe Aate Hain Qaatil Kee Nigahon Ki Tarah Tum Chupa Lo Mujhe Ae Dosth Gunahon Ki Tarah”

It is also the story of loneliness - A lonely man meets a lonely girl. She is in love with a man whom she does not expect ever to return to her but who continues to occupy her life to the exclusion of any other possible relationships. The lover does return, she is vindicated, and the man who had befriended her and had hoped for her love is left behind, more isolated than before.

Movie : Saawariya - 2007

Music Director : Monty Sharma

Singer : Shail Hada

Lyricists : Sameer

Lyrics:

Saawariya.. hha hha haa, Saawariya.. hha hha haa,

Saawariya, ho Saawariya!

Oh dholi mein bithake, sitrao se sajaa ke

Zaamane se churake le jaye ga

Saawariya.. hha hha haa, Saawariya.. hha hha haa,

Saawariya, ho Saawariya

Ohhh dholi mein bithake, sitrao se sajaa ke

Zaamane se churake le jaye ga

ek rooz tera udake jiya

Ohh Saawariya.. hha hha haa, ohh Saawariya.. hha hha haa,

yehey Saawariya, hho Saawariya

udley he he, odley he he

uudede hey he he, ohhhdede he he (yodely)

Palko ke shaamiyane mein, kwaboon ke har tikane mein

Teri hi parchaiya hai, tu tho har lamha yaadon mein hai

Teri khamosh pehali nazar ka deewana bana

Saawariya.. hha hha haa, Saawariya.. hha hha haa,

Saawariya, hh Saawariya

Ho dholi mein bithake, sitrao se sajaa ke

Zaamane se churake le jaye ga

Saawariya..(I wanna be your date tonight) hha hha haa,

Saawariya.. (You wanna be my princess of night) o hha hha haa,

Saawariya, (I wanna love you my love at first sight, will you be my date tonight) ohhhh Saawariya

Saawariya..(I wanna be your date tonight) hha hha haa,

Saawariya.. (You wanna be my princess of night) o hha hha haa,

Saawariya, (I wanna love you my love at first sight, will you be my date tonight) ohhhh Saawariya

(Apoorva on his first visit to Vaishali, literally Grandeur, a seasoned prostitute)

Vaishali- “Kya karega fast food ya muglai, ek dum raja maharajaon ki tarah, samjha beta”. “Aise aaj mera fast food banana ka mood nahi, biryani khayenge huzoor”.

(Vaishali slaps Apoorva when he tries to kiss her )

Vaishali –“Biryani kaha tha burger nahi”.

(Vaishali afraid her short working life of three or four years at the best, are fast running out, decides Apoorva is the guy who will keep visiting her when business dries up.)

Vaishali - “Aaj ke paise tu mat dena”

Apoorva – “fir kaise dogi unko paise”

Vaishali – “Apni kamai se de doongi”

(that night he leaves an absurd amount of money beneath her pillow, signifying the end of relationship)

Apoorva – “hum us mod par pahoonch gaye the, jahan se kisi bhi raste par hum ek saath nahi ja sakte the”

Tere Naam/ kyun kisi ko

Ni Dha Ni Sa Sa Ga Re Ma Pa Ga Re Ga Sa
Ni Dha Ni Sa Ga Sa
Ye Pal Kahin Thahraa Nahin
Yaadon Pe To Pahraa Nahin
Jab Davaa Se Bhi Zakhm Na Bhare
Aise Haal Mein Socho Koi Kyaa Kare
Kyun Kisi Ko Khushi Ke Badle Khushi Nahin Milti
Kyun Kisi Ko Vafaa Ke Badle Vafaa Nahin Milti
Ye Pyaar Mein Kyun Hotaa Hai
Ye Pyaar Mein Kyun Hotaa Hai
Kyun Kisi Ko Vafaa Ke Badle Vafaa Nahin Milti

KINTU’S Thirst for Life, She wants to experience LOVE and she want’s it NOW

(Kintu And Rajesh are alone in the class room. Rajesh is trying to kiss Kintu)
Kintu – “What is Sharma Madam’s problem in life. Just because she is a friend of mom’s she thinks she can be bossy”
Rajesh- “Tum kaho to sab thik kar dein”
Kintu – “Stop it Rajesh”
Rajesh - “Grow up Kintu”
Kintu – “Stop ! let me go.” “Tum Sab ladke ek jaise hote ho”
Sharma Madam (Barging into the classroom) – “Rajesh ! are you bothering Kintu”
Rajesh –“No ! madam”.
Kintu- “Yes Madam”
Sharma Madam – “tumhi ne jyada choot de rakhi hai”
(Kintu outside the school with a friend .)
Friend – “Kya hua mood kharab hai ?”
Kintu – “Haan yaar! Hamesha bas ek hi baat”

(Another day Kintu and Rajesh are alone the classroom.)
Rajesh – “Isme bura kya hai ? aur log nahi karte kya? You are my girlfriend kintu”
(Rajesh is in love with the idea of love and does not know what else to do)
Kintu (dancing to the tune of filmi song for rajesh) – “thoda sa thahro,
karti hun tumse ye waada,
hoga pura tumhara irada,
mein hun sari ki sari tumhari,
fir kahe ko jaldi karo ?”

(Kintu and her friends in a washroom on a group date, with Aporva and the other guys waiting outside)
Kintu – “Apoorva said he is not into Freddie Uncle Charlie Katie.”
First Friend – “Sharif bachcha lagta hai , koi nahi, tu to bigad hi degi”( they giggle together”
Second Friend – “Rajesh ko dump karke saab se achcha kiya”
Kintu – “Rajesh is so horny you can always feel him.”
First Friend – “Yuk!”

(Kintu and her friends )
Kintu (to her friend) – “Tune achcha bakra pakda hai yaar, Kash! Mera wala bhi kuch karta”.
(kintu feeling masterful, in control of the situation)
First Friend – “ Rahul, sab sikha dega”
Second Friend – “Kya sikha dega”
First Friend – “Freddie Uncle Charlie Katie”

(Kintu on phone with Apoorva)
Kintu – “Ghar aa sakte ho ? padhane.”
Apoorva –“Kyon maa ne chai pe bulaya hai?”

(Kintu later on dining table with her mother)
Ma – “Har baat ko galat samajhti hai tu”
Kintu - “Main Apoorva ko phone kar ke kah deti hun, ki aap mat aao”. “ meri ma ko apni beti par bharosa nahi hai” “mum apko kya lagta hai I am sleeping around with people.”
Ma – “Kintu! Baith ja ja ke chup karke”

(One day while Ma is away shopping, Kintu calls up Apoorva)
Apoorva – “Are you scared”
Kintu – “No.”
Apoorva - “ I care for you , don’t worry I will take care of you”
Kintu – “Badtameez”
(after having made love )
Kintu – “I love you”
Apoorva – “I will make a whore out of you”.
(Unwittingly Apoorva has stated the epitaph of Kintu’s zest for life. These shallow encounters hurt us, turn us into takers diminishing our capacity to give.)

Bhool Bhulaiyaa (2007)/ hare krishna hare ram

Music Director: Pritam Chakraborty
Singer: Niraj Shreedhar
Lyricist: Sameer

Teri Aankhen bhool bhulaiya.
Baatein hain bhool bhulaiya.
Tere sapnon ki galion mein.
I Keep Looin for u baby..

Teri Aankhen bhool bhulaiya.
Baatein hain bhool bhulaiya.
Tere sapnon ki galion mein.
U Keep Drivin me so crazy….

Dil Mein tu rehti hai…..
Betaabi kehti hai………
I Keep prain all day .. all day all night long

Hare ram hare ram hare krishna hare ram (4)

Tu meri khamoshi hai
tu meri madhoshi hai
tu mera hai afsana

Tu hai awara dhadkan …
tu hai is raaton ki tadpan ….
Tu hai meri dil Jana

Teri zulfon k neeche mere khwabon ki jannat
teri bahon mein aak Bechani ko milti raahat
my only wish is if i ever ever could make u mine
every one is prain with me now all day all night long

hare ram hare krishna hare ram (4)

Tere wade pe jeena teri kasmon pe marna baki ab kuch na karna
chahe jagaya soyaa deewanepan mein khoya
duniya se ab kya darna
tere ehsason ki gehrai mein dooba rehta
tu meri jaan ban jayay har lamha rab se kehta hoon

every one is talking about us like ever i do
my love is rocking baby common now common

Hare ram hare ram hare krishna hare ram

Teri Aankhen bhool bhulaiya.
Baatein hain bhool bhulaiya.
Tere sapnon ki galion mein.
I Keep Looin for u baby..

Teri Aankhen bhool bhulaiya.
Baatein hain bhool bhulaiya.
Tere sapnon ki galion mein.
U Keep Drivin me so crazy….

Dil Mein tu rehti hai…..
Betaabi kehti hai………
I Keep prain all day .. all day all night long

Hare ram hare ram hare krishna hare ram (4)

(Jeeva has just broken off from her boyfriend who was cheating on her. Apoorva who has already made love to Vaishali and Kintu needs another notch in his belt to win the bet he has with Sanjay. Apoorva tries to seduce Jeeva.)

Apoorva – “Hi! Jeeva”.

Jeeva –“Lagta hai tumhara dost Sanjay hi jeetega (student elections)”

Apoorva – “I really admire you for dumping your boy friend .” “ Most people just hang on.” .

Jeeva – “Not that I really had a choice”.

(Jeeva, literally the urge to live life, is true to her roots. She is ready to commit herself, and wants commitment in return. )

Apoorva - “I admire your guts ! among other things”

(by saying that he is interested in her as a man , apoorva declares his cards)

Jeeva – “ You just sat there and smiled all this while , now that I have finally figured you out, you turn out to be all SHIT.”

(Jeeva refers to lack of lack of commitment with Apoorva.)

Apoorva – “I am sorry!”

(maintaining the smooth, urbane façade.)

Jeeva – “Just fuck off!”

(Jeeva wants to be left alone, she asks Apoorva to go back to his uncommitted ways and walks off.)

(Prerna’s) Dad – “Hey this is nothing ! imagine yourself walking down a ramp in a swim suit when a thousand eyes are watching you “. “It is not easy ! beta”. “You just walk with poise and confidence, like you would walk in an evening gown”.

(Papa life holds out a seducing vision of future. Junior Life wants to live the allure of future held out to it as a promise.)

Sanjay – “Jindagi mein aage badhna hai to chauke mein khaana banane wali to nahi chalegi na !”

(Progressive image of woman had seduced Sanjay, he wanted to be Modern.

When the modern (sic) woman confronts him in a two piece bikini he brandishes his power over her.)

Sanjay – “Maine kaha na nahi chahiye ye sab.” “Arey ghar wale kya kahenge”.

(Sanjay still wedded to absent kinship’s morals)

Prerna – “You are such a babe”. “I can’t do the swimsuit round in a sari!”. “No one is going to rape me there, they might just jerk off!”

(Sanjay holding a gun to Prerna’s belly, the symbol of hunger, womanhood and much else.)

Sanjay - “Uda dein !”. “Uda dein ! kya?”.

(The same authority, the power that had attracted Prerna to Sanjay in the first place sickens her. She rebels against the medieval chauvinism and shares her turmoil with a kindred soul Apoorva.)

Prerna – “Kahin aur chalein is shor se door, ? ” “I don’t understand this, Sanjay jeet bhi jaye to mujhe khushi nahi hogi ”

Apoorva – “Do you love him? ”

Prerna – “I am no longer sure, but I don’t want to hurt him.” “God damn it ! One fine mess I have got myself into”

(One thing leads to another and she seeks out Apoorva to assert her independence, perhaps or maybe he was just there when she needed to work out her emotions. With Sanjay dead Prerna and Apoorva never get together.)

Apoorva – “I guess two cynics never make an optimist”

Roxette - The Look Lyrics

1-2-3-4
Walking like a man, hitting like a hammer
She's a juvenile scam, never was a quitter
Tasty like a raindrop, she's got the look
Heavenly bound cos heaven's got a number
When she's spinning me around, kissing is a colour
Her loving is a wild dog, she's got the look

She's got the look (she's got the look)
She's got the look (she's got the look)
What in the world can make a brown-eyed girl turn blue
When everything I'll ever do I'll do for you
And I go la la la la la
She's got the look

Fire in the ice, naked to the T-bone
Is a lover's disguise, banging on the head drum
Shaking like a mad bull, she's got the look
Swaying to the band, moving like a hammer
She's a miracle man, loving is the ocean
Kissing is the wet sand, she's got the look

She's got the look (she's got the look)
She's got the look (she's got the look)
What in the world can make a brown-eyed girl turn blue
When everything I'll ever do I'll do for you
And I go la la la la la
She's got the look

Walking like a man, hitting like a hammer
She's a juvenile scam, never was a quitter
Tasty like a raindrop, she's got the look
And she goes....

Na na na na na......
She's got the look

Who killed Sanjay ? Did he kill Himself ?

He had the same name as Sanjay, the wise seer of krukshetra, and his life itself became the kurukshetra, which he lost.

Sanjay, a student leader who had his middle class values intact.

Sanjay whose muse was Prerna, literally inspiration, the south delhite babe who was an aspiring model, sorry ! super model, the done thing, for someone like her.

Prerna - “Dad ! what are your impressions of my friends ?”

Dad – “ I really like apoorva , he is polished, understated, charming”.

Prerna – “And Sanjay ?”

Dad – “ Sanjay ! he has got his middle class values intact.”

It was a case of like recognizing like. Apoorva , literally without a parallel, lived for the moment. He had it all, class, wealth , old world charm. He didn’t need anything , yet his lack of commitment, his empty shell of a life, drove him to search meaning in arms of Vaishali, a prostitute, kintu, a girl in high school and Prerna, two kindred souls working out the contradictions of life in an act, an itch, that had no meaning for them.

Sanjay – “Darwaza kholo !, darwaza kholo nahi to tod denge, Apoorva! darwaza kholo”

(Apoorva and Prerna caught in the act, their only regret, the inconvenience of having to demolish sanjay’s middle class notions, the botheration of it, open the door)

Prerna - “Tamasha mat karo !”

Sanjay – “Chup kar! Saali, Randi !

(With just one word, whore, the male ego had leaped over the reality of a woman, her reasons, what sanjay couldn’t digest was betrayal of male bonding, male friendship.)

Apoorva – “Chill ! Sanjay , it meant nothing”

(Apoorva, is life living itself out, the moments spent with prerna felt so right, yet now that the moment had spent itself they were without meaning, his bonding with sanjay could go on if only sanjay could transcend the betrayal, to be fair to Apoorva, he was giving sanjay a chance only sanjay was too stuck in the mud, conservative. )

Sanjay – “Nothing! It means nothing! Apoorva”. “It isn’t that simple you bastard !”

“Hamare rishtey, hamare jasbaat, hamari dosti, Kuch mayne nahi rakhte ?”

(Sanjay lost in his pain, comes in front of a bus and dies. With him a part of Apoorva died, as life loses anytime any one of us loses, yet life moves on, it is the only survivor.)

Apoorva – “I lost a part of me the day Sanjay died”. “I wonder what really killed Sanjay ?”. “The bus, the betrayal, was it me, or was it Sanjay himself”. “The question will always haunt me”.

And again

Apoorva – “Three things were clear – One Sanjay was dead. Two I had survived. Three

I was still searching for love.”

(The curse of being a survivor , with each death you die a little, till you cannot die anymore, and just leave a tired body behind.)

Dum Laga Dum Laga/ dil dosti etc

Chaska Par Taala Lagta Nahi.

Bheja Yeh Saala Sunta Nahi.

Chaska Par Taala Lagta Nahi, Toh Kya Kare?

Bheja Yeh Saala Sunta Nahi, Toh Kya Kare?

Sir Pe Chadha Hai

Yeh Jid Pe Ada Hai

?Keeda Laga Re Laga…..

Dum Laga Dum Laga…. Laga Re Dhakka Re…

Dum Laga Dum Laga…. Laga Re Dhakka Re…

Dum Laga Dum Laga…. Laga Re Dhakka Re…

Dum Laga Dum Laga…. Laga Re Dhakka…

Chaska Par Taala Lagta Nahi…..

Padhane Likhane Ko Ghar Waalone Bheja Tha Humko

Tudes Banane Rat Rat Ke….

Yaaron Fat Gaye Hum To…. Apana Kuch Nahi Hoga

Kaun Saala Panga Lega Kis Mein Itna Dum Hai

Is Shaher Ke Naye Collector Papa Paincho Hum Hain!

Sir Pe Chadha Hain

Yeh Jid Pe Ada Hain

?Keeda Laga Re Laga…..

Dum Laga Dum Laga…. Laga Re Dhakka Re…

Dum Laga Dum Laga/ Dil Dosti Etc

Dum Laga Dum Laga…. Laga Re Dhakka Re…

Dum Laga Dum Laga…. Laga Re Dhakka Re…

Dum Laga Dum Laga…. Laga Re Dhakka…

Baar Baar Hum Pyaar Pyaar Me Maar Kyun Khaate Hain?

Frustrate Hokar Nile Filme Dekhane Kyun Jaate Hain?

? Pyar Nahi Hain Tuzko Pandit, Kuch Toh Hain Bimari,

Abe Professor Ke Saali Ko Aankh Kisane Maari?

Sir Pe Chadha Hain

Yeh Jid Pe Ada Hain

?Keeda Laga Re Laga…..

Dum Laga Dum Laga…. Laga Re Dhakka Re…

Dum Laga Dum Laga…. Laga Re Dhakka Re…

Dum Laga Dum Laga…. Laga Re Dhakka Re…

Dum Laga Dum Laga…. Laga Re Dhakka…

Sutta Ke Jugad Me Aadhi Raat Nikalte Hain

Deshprem Me Talli Hokar Desi Daaru Peete Hain,

Abe Shakspeare Ke Aulaad, Pauva Piya Kar

Kaun Saala Panga Lega Kis Mein Itna Dumm Hai

Is Shaher Ke Naye Collector Papa Paincho Hum Hain!

Sir Pe Chadha Hain

Yeh Jid Pe Ada Hain

Keeda Laga Re Laga….Dum Laga Dum Laga…. Laga Re Dhakka Re…Dum Laga Dum Laga…. Laga Re Dhakka Re…?Dum Laga Dum Laga…. Laga Re Dhakka Re…?Dum Laga Dum Laga…. Laga Re Dhakka…

Chaska Par Taala Lagta…Chup Be Fosle, Frustrated One Sided Lover’S Association!!!!

Marxists use the phrase “existence precedes consciousness.” — social context takes precedence over innate behavior.

i will use a slightly different term "consciousness loses to existence"

The Doors / Stoned Immaculate

I'll tell you this...
No eternal reward will forgive us now
For wasting the dawn.
Back in those days everything was simpler and more confused
One summer night, going to the pier
I ran into two young girls
The blonde one was called Freedom
The dark one, Enterprise
We talked and they told me this story
Now listen to this...
I'll tell you about Texas radio and the big beat
Soft driven, slow and mad
Like some new language
Reaching your head with the cold, sudden fury of a divine messenger
Let me tell you about heartache and the loss of god
Wandering, wandering in hopless night
Out here in the perimeter there are no stars
Out here we is stoned
Immaculate.