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<title><![CDATA[deka ali's Blog]]></title>
<link>http://blog.360.yahoo.com/blog-4Xlq6uYmcqrhWgCHh1WoJCEr</link>
<description><![CDATA[Express the divine attribute of Beauty]]></description>
<language>en-us</language>
<lastBuildDate>Sun, 06 Apr 2008 18:19:40 GMT</lastBuildDate>

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<title><![CDATA[This world is a dream]]></title>
<link>http://blog.360.yahoo.com/blog-4Xlq6uYmcqrhWgCHh1WoJCEr?p=55</link>
<description><![CDATA[This world is a dream — don't be deluded; if in a dream a hand is lost, it's no harm.   In dreams, no real damage is done if the body is maimed or torn in two hundred pieces.   The Prophet said of this apparently substantial world that it is but the sleeper's dream.   You've accepted this as an idea, but the spiritual traveler has beheld this truth with an open eye.   You are asleep in the daytime; don't say this is not sleep.]]></description>
<pubDate>Sun, 06 Apr 2008 18:19:40 GMT</pubDate>
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<title><![CDATA[Deliver me from this imprisonment of free will]]></title>
<link>http://blog.360.yahoo.com/blog-4Xlq6uYmcqrhWgCHh1WoJCEr?p=54</link>
<description><![CDATA[ Deliver me from this imprisonment of free will,<br />  O gracious and long-suffering Sustainer!<br /> The one-way pull on the Straight Path*<br /> is better than the two-way pull of perplexity.<br /> Though You are the only goal of these two ways,<br /> still this duality is agnonizing to the spirit.<br /> Though the destination of these two ways is You alone,<br /> still the battle is never like the banquet.<br /> Listen to the explanation God gave in the Qur'ân:<br /> they shrank from bearing it.**<br /> This perplexity in the heart is like war:<br /> when a man is perplexed he says,<br /> "I wonder whether this is better for my situation or that."<br /> In perplexity the fear of failure and the hope of success<br /> always are in conflict with each other, now advancing, now retreating.<br /> From You came this ebb and flow within me;<br /> otherwise, O glorious One, this sea of mine was still.<br /> From that source from which You gave me this perplexity,<br /> likewise now, graciously give me clarity.<br /> ]]></description>
<pubDate>Wed, 05 Mar 2008 16:31:51 GMT</pubDate>
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<title><![CDATA[Once you conquer your selfish self]]></title>
<link>http://blog.360.yahoo.com/blog-4Xlq6uYmcqrhWgCHh1WoJCEr?p=50</link>
<description><![CDATA[don't be bitter my friend <br />you'll regret it soon <br />hold to your togetherness <br />or surely you'll scatter <br /><br />don't walk away gloomy <br />from this garden <br />you'll end up like an owl <br />dwelling in old ruins <br /><br />face the war and <br />be a warrior like a lion <br />or you'll end up like a pet <br />tucked away in a barn <br /><br />once you conquer <br />your selfish self <br />all your darkness <br />will change to light <br /><br />-- Ghazal (Ode) 3299 <br />Translated by Nader Khalili <br />"Rumi, Fountain of Fire" <br />Burning Gate Press, <span style="background:none transparent scroll repeat 0% 0%; ">Los Angeles</span>, 1994 <br />]]></description>
<pubDate>Sat, 14 Apr 2007 21:43:23 GMT</pubDate>
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<title><![CDATA[Pornography]]></title>
<link>http://blog.360.yahoo.com/blog-4Xlq6uYmcqrhWgCHh1WoJCEr?p=45</link>
<description><![CDATA[<a name="labelPornography"> <h3></h3></a>IN PERSIA I SAW that poetry is meant to be set to music &amp; chanted or sung--for one reason alone--because it <em>works</em>.  <p>A right combination of image &amp; tune plunges the audience into a <em>hal</em> (something between emotional/aesthetic mood &amp; trance of hyperawareness), outbursts of weeping, fits of dancing--measurable physical response to art. For us the link between poetry &amp; body died with the bardic era--we read under the influence of a cartesian anaesthetic gas.  <p>In N. India even non-musical recitation provokes noise &amp; motion, each good couplet applauded, "Wa! Wa!" with elegant hand-jive, tossing of rupees--whereas we listen to poetry like some SciFi brain in a jar--at best a wry chuckle or grimace, vestige of simian rictus--the rest of the body off on some other planet.  <p>In the East poets are sometimes thrown in prison--a sort of compliment, since it suggests the author has done something at least as real as theft or rape or revolution. Here poets are allowed to publish anything at all--a sort of punishment in effect, prison without walls, without echoes, without palpable existence--shadow-realm of print, or of abstract thought--world without risk or <em>eros</em>.  <p>So poetry is dead again--&amp; even if the mumia from its corpse retains some healing properties, auto-resurrection isn't one of them.  <p>If rulers refuse to consider poems as crimes, then someone must commit crimes that serve the function of poetry, or texts that possess the resonance of terrorism. At any cost re-connect poetry to the body. Not crimes against bodies, but against Ideas (&amp; Ideas-in-things) which are deadly &amp; suffocating. Not stupid libertinage but exemplary crimes, aesthetic crimes, crimes for love. In England some pornographic books are still banned. Pornography has a measurable physical effect on its readers. Like propaganda it sometimes changes lives because it uncovers true desires.  <p>Our culture produces most of its porn out of body-hatred-- but erotic art in itself makes a better vehicle for enhancement of being/consciousness/bliss--as in certain oriental works. A sort of Western tantrik porn might help galvanize the corpse, make it shine with some of the glamor of crime.  <p>America has freedom of speech because all words are considered equally vapid. Only <em>images</em> count--the censors love snaps of death &amp; mutilation but recoil in horror at the sight of a child masturbating--apparently they experience this as an invasion of their existential validity, their identification with the Empire &amp; its subtlest gestures.  <p>No doubt even the most poetic porn would never revive the faceless corpse to dance &amp; sing (like the Chinese Chaos- bird)--but...imagine a script for a three-minute film set on a mythical isle of runaway children who inhabit ruins of old castles or build totem-huts &amp; junk-assemblage nests--mixture of animation, special-effects, compugraphix &amp; color tape-- edited tight as a fastfood commercial...  <p>...but weird &amp; naked, feathers &amp; bones, tents sewn with crystal, black dogs, pigeon-blood--flashes of amber limbs tangled in sheets--faces in starry masks kissing soft creases of skin--androgynous pirates, castaway faces of columbines sleeping on thigh-white flowers--nasty hilarious piss jokes, pet lizards lapping spilt milk--nude break- dancing--victorian bathtub with rubber ducks &amp; pink boners-- Alice on ganja...  <p>...atonal punk reggae scored for gamelan, synthesizer, saxophones &amp; drums--electric boogie lyrics sung by aetherial children's choir--ontological anarchist lyrics, cross between Hafez &amp; Pancho Villa, Li Po &amp; Bakunin, Kabir &amp; Tzara- -call it "CHAOS--the Rock Video!"  <p>No...probably just a dream. Too expensive to produce, &amp; besides, who would see it? Not the kids it was meant to seduce. Pirate TV is a futile fantasy, rock merely another commodity--forget the slick gesamtkunstwerk, then. Leaflet a playground with inflammatory smutty feuilletons-- pornopropaganda, crackpot samizdat to unchain Desire from its bondage. </p> <p></p> <p></p> <p></p> <p></p> <p></p> <p></p> <p></p> <p></p> <p></p> <p>Hakim Bey</p></p></p></p></p></p></p></p></p></p></p>]]></description>
<pubDate>Sat, 16 Dec 2006 18:53:45 GMT</pubDate>
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<title><![CDATA[The Ghost of Tom Joad]]></title>
<link>http://blog.360.yahoo.com/blog-4Xlq6uYmcqrhWgCHh1WoJCEr?p=42</link>
<description><![CDATA[<h3>&nbsp;</h3><br />
<h3><font size="2" face="Times New Roman, Times, serif"><em>Man walks along the railroad track<br />
<br />
He's Goin' some place, there's no turnin' back <br />
<br />
The Highway Patrol chopper comin' up over the ridge<br />
<br />
Man sleeps by a campfire under the bridge<br />
<br />
The shelter line stretchin' around the corner<br />
<br />
Welcome to the New World Order<br />
<br />
Families sleepin' in their cars out in the Southwest<br />
<br />
No job, no hope, no peace, no rest, NO REST!<br />
<br />
He pulls his prayer book out of a sleepin' bag<br />
<br />
The preacher lights up a butt and takes a drag<br />
<br />
He's waitin' for the time when the last shall be first and the first shall be last<br />
<br />
In a cardboard box 'neath the underpass<br />
<br />
With a one way ticket to the promised land<br />
<br />
With a hole in your belly and a gun in your hand<br />
<br />
Lookin' for a pillow of solid rock<br />
<br />
Bathin' in the cities' aqueducts<br />
<br />
Now Tom Said; "Ma, whenever ya see a cop beatin' a guy<br />
<br />
Wherever a hungry new born baby cries<br />
<br />
Whereever there's a fight against the blood and hatred in the air<br />
<br />
Look for me ma' <br />
<br />
I'll be there<br />
<br />
Wherever somebodies stuglin' for a place to stand<br />
<br />
For a decent job or a helpin' hand<br />
<br />
Wherever somebody is strugglin' to be free<br />
<br />
Look in their eyes ma, <br />
<br />
You'll see me! And The highway is alive tonight<br />
<br />
Nobody's foolin' nobody is to where it goes<br />
<br />
I'm sitting down here in the campfire light<br />
<br />
Searchin' for the Ghost of Tom Joad<br />
<br />
<br />
<br />
</em></font></h3>]]></description>
<pubDate>Thu, 14 Dec 2006 01:17:14 GMT</pubDate>
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<title><![CDATA[Knowledge of the degrees of speculative sciences and other things]]></title>
<link>http://blog.360.yahoo.com/blog-4Xlq6uYmcqrhWgCHh1WoJCEr?p=41</link>
<description><![CDATA[<font face="Arial" size="2">If you do not stop with this, He reveals to you the degrees of speculative sciences, sound integral ideas, and the forms of perplexing questions which confuse understanding. He reveals the difference between supposition and knowledge, the birth of possibilities between the world of spirits and the physical world, the cause of that genesis, the infusion of the Divine Mystery into the domain of His loving concern, and the cause of abandoning the world by effort or otherwise -- and other related matters.</font>]]></description>
<pubDate>Thu, 23 Nov 2006 21:32:26 GMT</pubDate>
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<title><![CDATA[God and the World]]></title>
<link>http://blog.360.yahoo.com/blog-4Xlq6uYmcqrhWgCHh1WoJCEr?p=38</link>
<description><![CDATA["The Sufi said to the judge, "He whose aid is<br />
sought has the ability to to make our trading without loss.<br />
He who turns fire into trees and rosegardens<br />
can also make this world a place without harm.<br />
He who produces roses from the midst of thorns<br />
can make our December into spring.<br />
He from whom every cypress grows straight and<br />
free can turn our grief into joy.<br />
He from whom every nonexistent thing has<br />
come into existence--how would He be any less if He made<br />
that thing everlasting?<br />
He who gives the body a spirit so that it may<br />
live--how would He lose if He did not cause it to die?<br />
After all, what would happen if that Generous<br />
One gave each servant his soul's desire without toil,<br />
And kept far from His weak creatures the wiles<br />
of the ego and the temptations of the devil waiting in<br />
ambush?"<br />
The judge replied, "If there were no bitter<br />
commands, beauty and ugliness, stones and pearls,<br />
If there were no satan and ego, and self-will,<br />
and if there were no blows, battle and war,<br />
Then by what means would the King call His<br />
servants, oh abandoned man?<br />
How could He say, 'Oh patient man! Oh<br />
forbearing man!'? How could He say, 'Oh brave man! Oh wise<br />
man!'?<br />
How could there be the patient, the sincere and<br />
the spending without a highwayman and accursed<br />
devil?<br />
Rustam, Hamzah and a catamite would all be<br />
one.* Knowledge and wisdom would be useless and abolished.<br />
Knowledge and wisdom exist to distinguish the<br />
right from the wrong: if everything were the right way, then<br />
wisdom would be useless.<br />
Do you consider it permissible to destroy both<br />
worlds for the sake of keeping open the shop of your<br />
worthless natural disposition?<br />
Of course, I know that you are pure, not unripe,<br />
and that your question is for the sake of the vulgar."<br />
<br />
-- Mathnawi VI: 1739-55<br />
Translation by William C. Chittick <br />
"The Sufi Path of Love: The Spiritual Teachings of Rumi"<br />
SUNY Press, Albany, 1983<br />
<br />
*Rustam is the archetypal heroic champion of ancient Persia,<br />
immortalized by Firdawsi in the Book of Kings ("Shahnameh" ). Hamzah <br />
is an uncle of the Prophet, and one of the great warriors of early <br />
Islam.<br />
<br />
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<pubDate>Thu, 09 Nov 2006 00:37:48 GMT</pubDate>
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<title><![CDATA[Lose your wisdom]]></title>
<link>http://blog.360.yahoo.com/blog-4Xlq6uYmcqrhWgCHh1WoJCEr?p=37</link>
<description><![CDATA[If you wish your misery to end,<br />
seek also to lose your wisdom—<br />
the wisdom born of human illusion,<br />
that which lacks the light<br />
of God's overflowing grace.<br />
The wisdom of this world increases doubt;<br />
the wisdom of Faith releases you into the sky.<br />
<br />
Mathnawi, II: 3200-3203<br />
Rumi: Daylight<br />
Threshold Books, 1994<br />
Persian transliteration courtesy of Yahyá Monastra<br />
<br />
]]></description>
<pubDate>Sun, 05 Nov 2006 00:52:53 GMT</pubDate>
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<title><![CDATA[I am the call of Love]]></title>
<link>http://blog.360.yahoo.com/blog-4Xlq6uYmcqrhWgCHh1WoJCEr?p=36</link>
<description><![CDATA[You whispered in my ears like early spring:<br />
"I am the call of Love,<br />
can you hear me in the full grasses,<br />
in the scented winds,<br />
it is I who makes the garden smile."<br />
<br />
My pure source of life, helper of lovers in despair,<br />
where have you been so long?<br />
Your breathtaking beauty creates such excitement,<br />
such a stir everywhere<br />
that you leave me bewildered.<br />
From the spring of love you bring back<br />
life to my ailing heart.<br />
The song of the awakened earth, the seasons,<br />
the changing Moons,<br />
all this fuss you make is glorious.<br />
Creation bows at your feet.<br />
<br />
-- Ghazal (Ode) 12<br />
"Rumi: Hidden Music"<br />
Translation by Azima Melita Kolin <br />
and Maryam Mafi<br />
HarperCollins Publishers Ltd, 2001<br />
<br />
]]></description>
<pubDate>Sat, 28 Oct 2006 14:03:55 GMT</pubDate>
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<title><![CDATA[&quot;The Beloved you&#39;ve lost&quot;]]></title>
<link>http://blog.360.yahoo.com/blog-4Xlq6uYmcqrhWgCHh1WoJCEr?p=35</link>
<description><![CDATA[i want to leave this town<br />
but you've chained me down<br />
stolen away my heart<br />
leaving yourself behind<br />
<br />
now i've lost my way<br />
my soul restless and head twisted<br />
all because of those secrets<br />
you once whispered<br />
<br />
i only must keep<br />
fasting my heart<br />
to set me free<br />
from sleepless nights<br />
<br />
since your only advice<br />
when you saw me in flame<br />
was to keep burning<br />
with you or with your thoughts<br />
<br />
words of wisdom<br />
came to me at last<br />
"the beloved you've lost<br />
the one you've been seeking outside<br />
can only be found inside"<br />
<br />
-- Ghazal 2582, from the Diwan-e Shams<br />
Translation by Nader Khalili<br />
"Rumi, Fountain of Fire"<br />
Cal-Earth Press, 1995<br />
<br />
]]></description>
<pubDate>Sun, 15 Oct 2006 05:36:05 GMT</pubDate>
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