New York Times correspondent Ben Ratliff has filed the following story on METALLICA and their new album, Daeth Magnetic.
JAMES HETFIELD, Metallica’s mordant singer and guitarist, reported to work first, loudly practicing vocal exercises. Lars Ulrich, the group’s affable drummer, followed him. Then came the band’s long-haired surfers: the lead guitarist Kirk Hammett, a small man walking lightly on his toes; and the bassist Robert Trujillo, the newest member, heavy-featured and mild-mannered.
They were in a guarded outbuilding of Cotroceni Stadium here, several hundred feet beyond the stands. (The stadium usually serves the soccer team FC Progresul Bucuresti.) A low-ceilinged room had been remade as the band’s preconcert practice space, or what it calls its tuning room. There was a green drum kit with two bass drums, racks of guitars and basses, and Pro Tools equipment for digital recording.
The band needs its 20-minute warm-ups for physical preparation — its members are all in their mid-40s now. And in the last four years the group also has used the time to write new material, including much of its surprising, vigorous new album, “Death Magnetic” (Warner Brothers).
A photographer asked the band members to stand together. “Again?” Mr. Hetfield mumbled. “We did that in ’84.” Office humor; nobody laughed. The guitarists started playing entwined riffs and after 10 minutes they moved into “Creeping Death,” from 1984, that night’s opener. It is gothic early Metallica: a song of negative certainty, written from the perspective of the 10th plague visited on Egypt.
“No new songs tonight,” Mr. Ulrich said apologetically, as an assistant wrapped gripping tape on his fingers. “I’m kind of new-songed out, to be honest.”
The concert would be what most fans probably wanted anyway: music recorded between 1983 (“Kill ’Em All,” the first Metallica album) and 1991 (“Metallica,” a k a the Black Album), but nothing from the often reviled second half of the band’s career. There were flames and fireworks; the crowd chanted and headbanged all the way through a rainstorm. “You’re going to sing as loud as you can?” Mr. Hetfield bellowed before “Seek and Destroy,” the final encore. “You’re going to make Metallica proud of Bucharest?”
Metallica will face the present soon enough, when it releases “Death Magnetic” on Sept. 12. The album, produced by Rick Rubin, is far better than anything the group has recorded in the last 12 years; it sounds as if the band has woken out of a daze. But it may also be seen as a regression, evoking the band’s sound from the mid-’80s.
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