King Kong
The Good: Thrilling and emotional when it's firing on all cyliders. A love story with some amazing visuals, this Kong does what previous film versions never accomplished; it makes you care about the relationship between beauty and the beast.
The Bad: About 30 minutes too long, with inconsequential sub-plots and supporting characters you simply don't care about.
Peter Jackson should have taken a second pass in the editing room and cut the film down to the amazing 2 and 1/2 hour film that's in there somewhere.
The Ugly: Lumpy The Cook's demise. One of the most gruesomely phallic deaths ever presented onscreen.
Bottom Line: Can a movie bore you and thrill you in equal measure and still be considered good, even great? Well, if so, this movie does so. The first hour is a bit snore-inducing, but when Ann begins to perform her Vaudeville routine for the big ape, the movie turns around and you never stop caring about the love affair between Kong and his girl.
A Note About The Score: For some reason,
Howard Shore was replaced by
James Newton Howard at the last minute as the film's music composer, and it may have been a big mistake. J.N. Howard's score for Kong is completely forgettable. I'd love to hear Shore's score . . his music for Lord of the Rings made even the mind-numbingly boring scenes watchable on some level.
A Note On The Visual Effects:
WETA Digital's work on Gollum for Lord of the Rings was revolutioary, but their Kong is, hands down, the best digital character ever to appear on-screen. I completely believed that he was a real creature for the entire duration of the film, and their animation work is central to the film's emotional punch.
If Kong himself were the only effect, this film would still have been an amazing feast for the eyes. But the visuals in Kong are spectacular all-around; the recreation of 1930s New York City is astonishingly detailed, the T-Rex attack will have you on the edge-of your seat without once thinking about the fx-wizardry involved, the insect attack is the creepiest thing I've seen on film since
James Cameron's Aliens and the final aeriel attack is a roller coaster that needs to be seen on the big screen.
This year's Oscar for Visual Effects belongs to Kong.
-Otis